A choreographic dialogue that invites us to explore the relationships between two bodies that work like a living organism in continuous expansion. In its growth, the organism multiplies its directions and continually makes possible new balances and new links, without avoiding the occurrence of mutations.
Quel che resta (What remains) is a journey towards the wonder of movement, made up of moments in which dance freezes in a gesture and surprising explosions, sudden bursts, unbalancing and repositioning of the body in space. A journey towards a territory made of landings and new departures.
Concept and choreography: Simona Bertozzi
Dance: Marta Ciappina, Simona Bertozzi
Music: Stravinsky: Diversions, Ray Chen, Timothy Young Divertimento: IV. Pas de deux, Coda Presto
Soundscape: Roberto Passuti
(with an excerpt from the documentary Big Animals survival strategies)
Lighting design: Giuseppe Filipponio
Organization: Chiara Boscariol
Press: Michele Pascarella
Photo and video: Luca Del Pia
Production: Nexus 2021
With the contribution of Mic, Regione Emilia-Romagna, Comune di Bologna
With the support of Centro Nazionale di Produzione della Danza Virgilio Sieni e di Fondazione CR Firenze
Creative residencies within the framework of Residenze per artisti nei Territori curated by Masque teatro, Artists in ResidenSì Bologna, in collaboration with Dialoghi – Residenze delle Arti Performative a Villa Manin 2021, CSS Teatro stabile di innovazione del FVG, Almastudios Bologna.
Since the beginning of my journey with Marta, I have tried to attribute to the space environmental characteristics that could generate visions, change the density of the air and generate the unexpected ability to cross. Unusual ways of being.
All this so that we could meet in a boundless dance, able to reverberate beyond the awareness of our actions and surprise us, almost despite ourselves, in attitudes of affection and irresistible resonance.
Quel che resta (What remains) was, at first, one of the territories of the map and of the practices, between glaciation, skins, escapes, and then became the overlying image, the bubble, the necessary degree of presence, the shared gaze, the inevitable questioning on which to pause, to find the subtle breath and transit from one dance to another.
From a section of space, Quel che resta has become the whole organism, the living, a multiplication of vectors, perspectives, anatomical flexions, rhythm and time.
It has made us connective tissues, to imagine and welcome other inhabitants, to make temperatures and origins reverberate, to generate multiform agreements of entry into movement, looking for unexpected capacities to make the world. To generate amazement.
Quel che resta is the impetuosity and the lingering of bodies, the weightless touch: it extends a vocabulary of waits and starts, of repeated geometries, of figurines, ice, resistance, epidermis and pupils and of refrains. To be hooked.
Simona Bertozzi, dancer and choreographer, a graduate from DAMS in Bologna, has been committed since 2005 to an authorial path of choreographic research and in 2008 founded the Simona Bertozzi | Nexus Company.
Over the years, her projects have been supported and hosted by important Italian and European circuits, through co-productions and choreographic residencies.
Her most recent works include: And it burns, burns, burns finalist at the 2017 UBU Awards as Best Dance Performance, Joie de Vivre co-produced by ERT Emilia Romagna Teatro Fondazione, Fondazione Teatro Comunale di Modena and Tra le linee project co-produced by Torino Danza, MilanOltre, Nexus and Festival Est Ovest.
Since 2014 the creation path has also addressed young performers, involving children and teenagers.
In 2019 he won the Hystrio Corpo a Corpo Award and the ANCT (Associazione Nazionale Critici di Teatro) Award.
Full price: 9 euro
Reduced under 30, dance schools, Liceo Coreutico Matilde di Canossa, over 65, members of CRAL Municipality of Reggio Emilia: 6 euro
Reduced under 8: 3 euro
Due to anti-Covid regulations, tickets can only be purchased online at www.biglietteriafonderia39.it.
Therefore, tickets cannot be booked by phone or e-mail.
The box office service in the Fonderia is suspended.
Tickets are not numbered.
You can enter the Fonderia 15 minutes before the performance, showing your online purchase.
At the entrance, the temperature will be tested, and access will be denied if the temperature exceeds 37.5°C. In accordance with the latest legislative decree on anti-COVID regulations, access to the Fonderia is only permitted to spectators with a valid Super Green Pass and an Ffp2 mask. This provision does not apply to persons under 12 years of age or to persons exempt on the basis of appropriate medical certification issued according to the criteria defined by the Ministry of Health.
Control staff are obliged to check this certification upon entry.
The public is required to wear an Ffp2 type mask correctly for the duration of the event.